s.k.r.o.t.

A performance piece exploring the many sound and movement usages that thrown away objects with their inherent stories may have. Recycling what some see as garbage and giving it new lives. The reincarnation and animation of objects through movement and sound.
Made in collaboration with Johannes Bergmark and Louise Kvarby.

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The Great Learning by Cornelius Cardew

“The Great Learning” är ett Mastodontverk i 7 Paragrafer av den berömde kompositören Cornelius Cardew. Den 14e och 15 juni spelar vi Paragraferna 1, 2 och 5 i Eric Ericsonhallen. (f.d. Skeppsholmskyrkan) Anna Lord medverkar i den nordiska URPREMIÄREN för Paragraf 5!  Ett stort kollektivt musik-rörelse-konstverk, en helt unik upplevelse/konsert för både deltagarna och publiken! … More The Great Learning by Cornelius Cardew

Processing with trees

Abandoning the studio and theater space.
Turning to nature.
Listening to trees.
Metamorphosing into stone.
Following the ever curving
and undulating.
Slipping on ice,
stumbling on stones,
sliding in snow.
Lying in heather
rain on my face.
Burned out
from modern
life.
People
soaking in the sun. … More Processing with trees

Before the amends

Concerns before the confrontation.
Contemplation, holding of breath, preparation, cold sweaty hands and reassessment.
Kneeling before the jump. It is an abstract movement piece, a dance solo in which A. Lord danced hirself. It investigating movements of confession, prayer and amends. Performed at the tenth year anniversary of the Vindöga art festival in the small town of Sandviken in Sweden on October 2nd of 2015.”before the amends” … More Before the amends

normbrott

A video work in collaboration with Jennie Ramstedt.
Instant composition, improviser, performer Anna Lord.
Camera and editing Jennie Ramstedt.
Shown at Konstfack, Stockholm June 2013 and at Nordiskt Forum (New Action on Women’s Rights) Malmö 12-15th of June 2014. … More normbrott

More than this

More than this is a video work made in collaboration with choreographer and dancer Malin Ångman to music made for the piece by composer Johan Boberg.
The piece departed in a sense of deep listening.
Where every movement was a response to the other.

Filmed in Gothenburg in December 2008, edited by Anna Lord at EMS, Elektronmusikstudion in Stockholm throughout 2009-2010.
Showed in October 2010 at Fylkingen, Stockholm and at Dansdag at Fisksätra Folkets Hus in November 2010.

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Squeerdance

Anarchy and dissonance.
Four performance/dance makers gather to explore roles and conventions in a site specific performance at a square at Stockholm Culture Festival.
They chose to locate their performance amongst the people passing.

Enwrapped in their own trajectories with their own personal agendas. People try and make their individual ways through a crowd. With no common goal and little regard for the common well-being, the others needs and whereabouts.
A faceless mass of strangers to jostle through oblivious of the possibility to get met at any level by anyone of these unknown.
The performers stay stuck in their individual routines with rare encounters with one another and the people passing. Momentarily breaking the city code of solitary insolence.

Kept together by electroacustic music played live by Jan Liljekvist and Daniel Karlsson.

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